Full Circle
The artist's first full-length album, completes the journey begun with Shigeto's 'Semi-Circle' EP, synthesizing the drummer/producer's signature themes of family, continuity, and musical boundary-pushing into a vibrant, fully unified artistic statement. The sounds on Full Circle come from four years of obsessive field recording and collaboration. Saginaw brought his Tascam mini-recorder with him everywhere, capturing the 'glasses, chains, breathing, children, family meals, monks singing in cathedrals, walks in the south of France, and good friends offering their musical skill' that would all find homes in the record's compositional nooks and crannies.
Original: $48.05
-70%$48.05
$14.41Full Circle
The artist's first full-length album, completes the journey begun with Shigeto's 'Semi-Circle' EP, synthesizing the drummer/producer's signature themes of family, continuity, and musical boundary-pushing into a vibrant, fully unified artistic statement. The sounds on Full Circle come from four years of obsessive field recording and collaboration. Saginaw brought his Tascam mini-recorder with him everywhere, capturing the 'glasses, chains, breathing, children, family meals, monks singing in cathedrals, walks in the south of France, and good friends offering their musical skill' that would all find homes in the record's compositional nooks and crannies.
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Description
The artist's first full-length album, completes the journey begun with Shigeto's 'Semi-Circle' EP, synthesizing the drummer/producer's signature themes of family, continuity, and musical boundary-pushing into a vibrant, fully unified artistic statement. The sounds on Full Circle come from four years of obsessive field recording and collaboration. Saginaw brought his Tascam mini-recorder with him everywhere, capturing the 'glasses, chains, breathing, children, family meals, monks singing in cathedrals, walks in the south of France, and good friends offering their musical skill' that would all find homes in the record's compositional nooks and crannies.
