Haugtussa
Fragile jazzpop panopticum from the Norwegian singer.
On the one hand, we think of Joni Mitchell or Rickie Lee Jones in subtle folk-pop from female throat, on the other hand, we encounter Ketil Bjørnstadt and Bugge Wesseltoft in melodically silent Norway jazz. Lynni Treekrem is now trying to bridge between these two camps. She had ambitious texts written on the body and engaged Bjørnstad as a pianist and songwriter. This also ensures atmospheric high voltage.
Together with masters such as double bass Arild Andersen and folk violinist Annbjørg Lien, Lynni Treekrem succeeded in creating a fragile jazzpop panopticum between Kari Bremnes and Sissel Endresen.
Its full effect unfolds the sound technically excellent recording on grey days.
Original: $24.02
-70%$24.02
$7.21Haugtussa
Fragile jazzpop panopticum from the Norwegian singer.
On the one hand, we think of Joni Mitchell or Rickie Lee Jones in subtle folk-pop from female throat, on the other hand, we encounter Ketil Bjørnstadt and Bugge Wesseltoft in melodically silent Norway jazz. Lynni Treekrem is now trying to bridge between these two camps. She had ambitious texts written on the body and engaged Bjørnstad as a pianist and songwriter. This also ensures atmospheric high voltage.
Together with masters such as double bass Arild Andersen and folk violinist Annbjørg Lien, Lynni Treekrem succeeded in creating a fragile jazzpop panopticum between Kari Bremnes and Sissel Endresen.
Its full effect unfolds the sound technically excellent recording on grey days.
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Description
Fragile jazzpop panopticum from the Norwegian singer.
On the one hand, we think of Joni Mitchell or Rickie Lee Jones in subtle folk-pop from female throat, on the other hand, we encounter Ketil Bjørnstadt and Bugge Wesseltoft in melodically silent Norway jazz. Lynni Treekrem is now trying to bridge between these two camps. She had ambitious texts written on the body and engaged Bjørnstad as a pianist and songwriter. This also ensures atmospheric high voltage.
Together with masters such as double bass Arild Andersen and folk violinist Annbjørg Lien, Lynni Treekrem succeeded in creating a fragile jazzpop panopticum between Kari Bremnes and Sissel Endresen.
Its full effect unfolds the sound technically excellent recording on grey days.
