Eyes of the Ocean
Eyes of the Ocean is Syaman Rapongan’s literary autobiography, both a powerful story of survival in a settler state and a masterful portrait of the Indigenous artist as a young man.
Syaman Rapongan—one of the Indigenous Tao people of Orchid Island near Taiwan—calls himself an “ocean writer.” His works blend Tao folklore and accounts of maritime life with keen critique of the social, psychological, and ecological harms of colonialism. Eyes of the Ocean is his literary autobiography, both a powerful story of survival in a settler state and a masterful portrait of the Indigenous artist as a young man.
In colloquial and vivid prose, Syaman Rapongan depicts Tao beliefs in ghosts, practices of exorcism, and the parallel worlds that exist alongside the human realm. He recounts his difficulties speaking Mandarin in school, his experiences of racial discrimination and exploitation in Taipei, and his decision to return to Orchid Island to rediscover his cultural heritage, as well as his travels to visit other Indigenous artists in places such as Greenland. Eyes of the Ocean also tells the story of Syaman Rapongan’s formation as a writer, a practitioner of a genre of his own creation: colonial ocean island literature.
Introducing English-language readers to one of the leading Indigenous writers in Taiwan, this book shares a profound and deeply humane vision of Oceanic art and identity.
Eyes of the Ocean
Eyes of the Ocean is Syaman Rapongan’s literary autobiography, both a powerful story of survival in a settler state and a masterful portrait of the Indigenous artist as a young man.
Syaman Rapongan—one of the Indigenous Tao people of Orchid Island near Taiwan—calls himself an “ocean writer.” His works blend Tao folklore and accounts of maritime life with keen critique of the social, psychological, and ecological harms of colonialism. Eyes of the Ocean is his literary autobiography, both a powerful story of survival in a settler state and a masterful portrait of the Indigenous artist as a young man.
In colloquial and vivid prose, Syaman Rapongan depicts Tao beliefs in ghosts, practices of exorcism, and the parallel worlds that exist alongside the human realm. He recounts his difficulties speaking Mandarin in school, his experiences of racial discrimination and exploitation in Taipei, and his decision to return to Orchid Island to rediscover his cultural heritage, as well as his travels to visit other Indigenous artists in places such as Greenland. Eyes of the Ocean also tells the story of Syaman Rapongan’s formation as a writer, a practitioner of a genre of his own creation: colonial ocean island literature.
Introducing English-language readers to one of the leading Indigenous writers in Taiwan, this book shares a profound and deeply humane vision of Oceanic art and identity.
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Eyes of the Ocean is Syaman Rapongan’s literary autobiography, both a powerful story of survival in a settler state and a masterful portrait of the Indigenous artist as a young man.
Syaman Rapongan—one of the Indigenous Tao people of Orchid Island near Taiwan—calls himself an “ocean writer.” His works blend Tao folklore and accounts of maritime life with keen critique of the social, psychological, and ecological harms of colonialism. Eyes of the Ocean is his literary autobiography, both a powerful story of survival in a settler state and a masterful portrait of the Indigenous artist as a young man.
In colloquial and vivid prose, Syaman Rapongan depicts Tao beliefs in ghosts, practices of exorcism, and the parallel worlds that exist alongside the human realm. He recounts his difficulties speaking Mandarin in school, his experiences of racial discrimination and exploitation in Taipei, and his decision to return to Orchid Island to rediscover his cultural heritage, as well as his travels to visit other Indigenous artists in places such as Greenland. Eyes of the Ocean also tells the story of Syaman Rapongan’s formation as a writer, a practitioner of a genre of his own creation: colonial ocean island literature.
Introducing English-language readers to one of the leading Indigenous writers in Taiwan, this book shares a profound and deeply humane vision of Oceanic art and identity.
