
Willie Birch
Stories to Tell A career retrospective of a singular voice in contemporary American art, featuring six decades of artwork that chronicles his vision of the Black American experience
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New Orleans–based artist, community organizer, and cultural provocateur Willie Birch (b. 1942) has dedicated his career to storytelling. His incisive work across a wide variety of media—including paintings, large-scale drawings, wood and papier-mâché sculpture, and public works—explores his unique vision of Black America and draws on sources as diverse as Egyptian numerology, American folk art, and jazz music.
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This book showcases more than one hundred of Birch’s artworks alongside essays by eminent scholars and curators. Russell Lord provides an introduction to the artist’s life and work; Lowery Stokes Sims writes about Birch’s use of papier-mâché, for which he garnered acclaim during his time in New York City, and situates Birch within the New York art scene of the 1980s and ’90s; Grace Deveney considers the ways Birch gives visual form to the complex relationship between Black Americans and mass media; and Leslie King Hammond discusses how the city of New Orleans—its history and its communities—has shaped Birch’s work.
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Published in association with the American Federation of Arts
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Exhibition Schedule:
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California African American Museum, Los Angeles
May 5–October 4, 2026
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New Orleans Museum of Art
March 20–September 5, 2027
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Museum of Contemporary Art Jacksonville, University of North Florida
October 28, 2027–May 14, 2028
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Hudson River Museum
September 22, 2028–January 14, 2029
Original: $96.11
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$28.83Willie Birch
Stories to Tell A career retrospective of a singular voice in contemporary American art, featuring six decades of artwork that chronicles his vision of the Black American experience
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New Orleans–based artist, community organizer, and cultural provocateur Willie Birch (b. 1942) has dedicated his career to storytelling. His incisive work across a wide variety of media—including paintings, large-scale drawings, wood and papier-mâché sculpture, and public works—explores his unique vision of Black America and draws on sources as diverse as Egyptian numerology, American folk art, and jazz music.
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This book showcases more than one hundred of Birch’s artworks alongside essays by eminent scholars and curators. Russell Lord provides an introduction to the artist’s life and work; Lowery Stokes Sims writes about Birch’s use of papier-mâché, for which he garnered acclaim during his time in New York City, and situates Birch within the New York art scene of the 1980s and ’90s; Grace Deveney considers the ways Birch gives visual form to the complex relationship between Black Americans and mass media; and Leslie King Hammond discusses how the city of New Orleans—its history and its communities—has shaped Birch’s work.
Â
Published in association with the American Federation of Arts
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Exhibition Schedule:
Â
California African American Museum, Los Angeles
May 5–October 4, 2026
Â
New Orleans Museum of Art
March 20–September 5, 2027
Â
Museum of Contemporary Art Jacksonville, University of North Florida
October 28, 2027–May 14, 2028
Â
Hudson River Museum
September 22, 2028–January 14, 2029
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Stories to Tell A career retrospective of a singular voice in contemporary American art, featuring six decades of artwork that chronicles his vision of the Black American experience
Â
New Orleans–based artist, community organizer, and cultural provocateur Willie Birch (b. 1942) has dedicated his career to storytelling. His incisive work across a wide variety of media—including paintings, large-scale drawings, wood and papier-mâché sculpture, and public works—explores his unique vision of Black America and draws on sources as diverse as Egyptian numerology, American folk art, and jazz music.
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This book showcases more than one hundred of Birch’s artworks alongside essays by eminent scholars and curators. Russell Lord provides an introduction to the artist’s life and work; Lowery Stokes Sims writes about Birch’s use of papier-mâché, for which he garnered acclaim during his time in New York City, and situates Birch within the New York art scene of the 1980s and ’90s; Grace Deveney considers the ways Birch gives visual form to the complex relationship between Black Americans and mass media; and Leslie King Hammond discusses how the city of New Orleans—its history and its communities—has shaped Birch’s work.
Â
Published in association with the American Federation of Arts
Â
Exhibition Schedule:
Â
California African American Museum, Los Angeles
May 5–October 4, 2026
Â
New Orleans Museum of Art
March 20–September 5, 2027
Â
Museum of Contemporary Art Jacksonville, University of North Florida
October 28, 2027–May 14, 2028
Â
Hudson River Museum
September 22, 2028–January 14, 2029











